March 3, 2014
IS YOUR $500,000 HARING A FAKE!

haringA major battle has begun in the art world! On February 21st, a group of 9 outraged art collectors took the The Haring Foundation, the organization in charge of maintaining and preserving the works and legacy of famed artist Keith Haring, to court. The alleged crime?. The organization is being sued on the grounds that it falsely labeled as many as 80 authentic Haring pieces 'counterfeit' or 'fake' in order to increase the value of it's own assets.
But the defendant claims that the pieces are, in fact, 'fake'. Who is telling the truth?
Known for bright colors and bold lines, Haring's works reflected 1980s street culture and graffiti style.
An SVA graduate, the artist gained worldwide popularity with his universally recognizable symbols
and pieces, which often featured heavy political and social messages. There is no doubt that
Haring's iconic imagery is now one of the most widely recognized styles on the planet today. A note
to all prospective collectors: be prepared to spend anywhere between $500,000 and $1 million for an
original Haring acrylic on canvas!
This was the average range of pieces being sold at "Haring Miami", a Florida exhibit and sale hosted
by a group of private collectors in March of 2013. With 80 pieces or so, the show could have easily
taken in over $50 million dollars. But after only two days on display, the collectors were notified of a
lawsuit being placed against them for copyright infringement, stating that the pieces in the show
were fakes. The group had no choice but to close the show, which was closely followed
by the filing of a counter-suit.
Official documentation shows that this battle started years before the Haring Miami show, circa 2007.
The documents, presented in U.S. Federal District Court in Manhattan, states that in 2007 the
collectors contacted the Haring Foundation's authentication committee regarding a large number of
pieces. Letters of authenticity and detailed photographs of dozens of works were sent to the
committee for validation, only to have all pieces rejected as 'not authentic' with no explanation.
When pressed for further information, the committee reportedly failed to provide any evidence that
proved the pieces' falsehood. This isn't the only case of shady conduct when it comes to The Haring
Foundation; other collectors have come forward with authenticity issues resulting in the same
outcomes- denial without explanation, refusal to consider evidence, and unprofessional contact
afterwards. It is also a known fact that the authentication committee disbanded in 2012, as it has
been said by many sources, to avoid litigation.
Well, that was convenient, wasn't it?
The collectors are suing for a hefty $40 million in sales losses resulting from the Miami scandal.
This case is going to be a pivotal one for the art world. The ruling here has great potential to extend
beyond the Haring Foundation and affect the entire world of art. You can be sure this case is going
to be in the spotlight until the very end!

 

 

April 20, 2012
Emily Blunt and Robert De Niro Discuss Personal Roles at Tribeca Film Fest

The Tribeca Film Festival has a full schedule of panels to coincide with all the movies being screened. At a panel celebrating 100 years of Universal Studios, one of several events (and celebrities) DNAinfo caught Thursday, Robert De Niro and Judd Apatow discussed their favorite movie moments at the Borough of Manhattan Community College Tribeca Performing Arts Center.
De Niro, known first for his dramatic roles and then his comedic ones, saw humor in all of his roles.
"'Taxi Driver' and 'Mean Streets' are not obviously funny, but there are comedic moments," De Niro said.
"And 'Goodfellas' was hilarious," Apatow joked.
"Even 'Cape Fear' had moments of humor," De Niro added, though we'd be hard-pressed to recall
them. Apatow was a big fan of De Niro's "Deerhunter." "I was 10 years old when it came out but we
got the VHS and I watched it. We also has 'The Godfather' and '10' — my dad liked it — and we
watched it many, many times," he said.
"It started as a few ideas on paper — a paragraph," director Lynn Shelton said of her film, "Your
Sister's Sister," starring Emily Blunt, and they started filming with only 70 pages of a script.
This, Blunt said at the BMCC red carpet, allowed the film to be "my most personal film to date.
" However, when asked if one of her sisters fell for the same man she did, mirroring the film, it'd be
curtains. "She'd be out of the family,"  she quipped.

Read more at DNAinfo.com

 

April 28, 2011
New 'spacey' way to sell a book
By Kiran Khalid, CNN
art
...a time when the publishing world is floundering, bookstores are folding and eBooks are flourishing.
So the writer who spent three months embedded with NASA's mission control with unprecedented access to the Phoenix Expedition in 2008 decided his next venture would be more ambitious. He launched a bookstore in New York's trendy West Village and stocked it with just one book, his own.
"Reactions vary so wildly," said Kessler at his shop. "A lot of people are scared to come in. Some people wonder if we're Scientologists."
The store, Ed's Martian Book, is divided into sections including "staff favorite," "best -seller," and
"self help."
Kessler gets all sorts of questions, but the only one that seems to rattle him is: "What's your overhead?"
"I don't ask you your rent," he objected before explaining, "Part of the fun is people guessing how
you can afford to sell books."
Kessler refers to himself as a "monobookist." The store, which opened April 12 with 3,000 books,
is in an affluent part of a high-rent neighborhood populated by celebrities such as Sarah Jessica
Parker, Liv Tyler and Julianne Moore. Rent's not cheap.
Kessler says he worked out a deal with his landlord, who was interested in supporting the arts.
Then he dug into his savings to purchase the inventory and recruited friends to help him transform
the space with alien art on the walls and dioramas depicting the scientists and engineers he came to
worship during his summer at mission control.
"It's so unique," raved actor Robert Rubinsky. "I want to bring my PR person here. It's such brilliant
branding!"
But not everyone is a fan. Some people are confused by the concept and others reject the idea of a
"monobookist bookstore". But Kessler said he isn't looking to make a profit as much as a statement
about the value of books.
"I have to get people excited about space through a medium that it's difficult to get people excited
about. It's doubly challenging," Kessler said.
But that challenge is dwarfed by NASA's Herculean task of using the first manmade probe to dig up
dirt on Mars. In his book, Kessler called his unfettered access to that mission "winning the nerd lottery."
As the first outsider granted such permission, the author had a front-row seat to space history while
he watched NASA's top scientists and engineers overcome the hurdles of maneuvering a robot in
outer space and discover ice on Mars.

Now as NASA prepares for its last shuttle launch, he hopes he can deliver on his promise to get
people interested in space exploration again.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

back to top

 

 

 

 

 

Local Scene

Lispenard Street, a single block immediately below Canal Street, is wide on the Church Street side but is narrower at Broadway. Thus, it appears as a triangle on City maps, not like a rectangle as most city blocks are depicted. The Lispenard Street residents decided to name their group the Triangle Below Canal Block Association, and, as activists had done in SoHo, shortened the group’s name to the Tribeca Block Association.

 

Fun Facts

A reporter covering the zoning story for The New York Times came across the block association’s submission to City Planning, and mistakenly assumed that the name Tribeca referred to the entire neighborhood, not just one block. Once the “newspaper of record” began referring to the neighborhood as Tribeca, it stuck. This was related by former resident and councilmember for the area, Kathryn Freed, who was involved in the 1970s Tribeca zoning effort